
Ruben Rada & Eduardo Mateo - Botija De Mi Pais LP
Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadnÂŽt collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released âCuerpo y Almaâ and Rada, âLa yapla mataâ (which included the classic song âTengo un candombe para Gardelâ).
This initiative sprang from the artists themselves. But when it was time to create, they rarely got together in the studio, preferring to work on their own. Once finished, the album failed to make an impact, since neither of them promoted it.Â
This revival brings that semi-hidden treasure to light. It includes two tracks of the artists strictly performing a duet, the only recordings of Mateo and Rada working alongside each other and no one else. It also contains two additional tracks where you can relish Rada accompanied by Mateoâs guitar and Mateo backed by Radaâs percussion. It includes a track where Mateo commands the instruments (as in Mateo solo bien se lame) and another with Radaâs solo on vocals and percussion. There are instances when Radaâs band of that moment and âsuper-groupâ (with Osvaldo NolĂ© on keyboards, Ricardo Lew on electric guitar, Urbano on the bass and Osvaldo Fattoruso on drums), makes an appearance. Sometimes, Urbano comes forth as lead singer, completing the triad of singers of âEl Kintoâ.
Original: $30.61
-65%$30.61
$10.71Ruben Rada & Eduardo Mateo - Botija De Mi Pais LP
Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadnÂŽt collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released âCuerpo y Almaâ and Rada, âLa yapla mataâ (which included the classic song âTengo un candombe para Gardelâ).
This initiative sprang from the artists themselves. But when it was time to create, they rarely got together in the studio, preferring to work on their own. Once finished, the album failed to make an impact, since neither of them promoted it.Â
This revival brings that semi-hidden treasure to light. It includes two tracks of the artists strictly performing a duet, the only recordings of Mateo and Rada working alongside each other and no one else. It also contains two additional tracks where you can relish Rada accompanied by Mateoâs guitar and Mateo backed by Radaâs percussion. It includes a track where Mateo commands the instruments (as in Mateo solo bien se lame) and another with Radaâs solo on vocals and percussion. There are instances when Radaâs band of that moment and âsuper-groupâ (with Osvaldo NolĂ© on keyboards, Ricardo Lew on electric guitar, Urbano on the bass and Osvaldo Fattoruso on drums), makes an appearance. Sometimes, Urbano comes forth as lead singer, completing the triad of singers of âEl Kintoâ.
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Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadnÂŽt collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released âCuerpo y Almaâ and Rada, âLa yapla mataâ (which included the classic song âTengo un candombe para Gardelâ).
This initiative sprang from the artists themselves. But when it was time to create, they rarely got together in the studio, preferring to work on their own. Once finished, the album failed to make an impact, since neither of them promoted it.Â
This revival brings that semi-hidden treasure to light. It includes two tracks of the artists strictly performing a duet, the only recordings of Mateo and Rada working alongside each other and no one else. It also contains two additional tracks where you can relish Rada accompanied by Mateoâs guitar and Mateo backed by Radaâs percussion. It includes a track where Mateo commands the instruments (as in Mateo solo bien se lame) and another with Radaâs solo on vocals and percussion. There are instances when Radaâs band of that moment and âsuper-groupâ (with Osvaldo NolĂ© on keyboards, Ricardo Lew on electric guitar, Urbano on the bass and Osvaldo Fattoruso on drums), makes an appearance. Sometimes, Urbano comes forth as lead singer, completing the triad of singers of âEl Kintoâ.














